The Carpenter’s Son Review: Lotfy Nathan’s Gripping Biblical Drama Shines at Venice 2025

Lotfy Nathan’s latest film, The Carpenter’s Son, is turning out to be one of the most talked‑about titles of the festival season. Following wide acclaim at the Venice Film Festival 2025, the drama solidifies Nathan’s reputation as one of the boldest voices in today’s cinema.

With its story set against the harsh, sun‑scorched Mediterranean landscape, it’s a tale of a young boy trapped between divine belief and human brutality. Drawing from Biblical imagery, Nathan crafts a haunting parable that explores faith, guilt, and redemption with raw, emotional precision.

Every frame of The Carpenter’s Son is a work of art: the balance of slow‑burn tension, poetic pacing, and strong performances echoes Terrence Malick and Lars von Trier, yet it feels uniquely Nathan’s storytelling voice. The result can be unsettling yet transcendent in the unflinching way it tackles sacrifice and spiritual awakening.

Critics have hailed The Carpenter’s Son as a “contemplative triumph” that dissolves the boundaries between myth and realistic drama. With lyrical camera work and a powerful score, the film ranks among the most astounding independent film achievements to emerge in 2025.